Перейти к содержанию

Pontiac Phantom: Bill Mitchell's Last Masterpiece

Before retirement, the legendary GM designer created a coupe that sought to embody the best features of his career's finest cars.

The 1973 oil crisis profoundly changed the American automotive industry. The era of huge, luxurious, and extremely fuel-thirsty cars came to an end, and with it, familiar design benchmarks began to fade.

For Bill Mitchell, who had been responsible for the artistic appearance of General Motors cars for many years, the changes were far from welcome. However, the 65-year-old executive was approaching retirement, and before leaving, he decided to leave something special behind.

Thus came the Pontiac Phantom — a concept that was meant to be a kind of farewell letter to the era of the classic American automobile.

42 Years at General Motors

William Mitchell, known to all as Bill Mitchell, dedicated 42 years to General Motors. His professional career began in 1931. At that time, he worked as an ordinary artist at the American Automobile Racing Club of America. It was there that Harley Earl, the legendary head of General Motors' design department, noticed the talented specialist.

On December 15, 1935, Mitchell officially became a GM employee. Just a year later, with Earl's support, he headed the newly created Cadillac brand style studio. His advancement was rapid thereafter:

  • In May 1954, Mitchell became the head of General Motors' design bureau;
  • After Harley Earl's retirement, he became Vice President of the entire concern;
  • Numerous commercially successful models appeared under his leadership.

The Corvette Stingray, Buick Riviera, and eighth-generation Cadillac Eldorado are directly associated with Mitchell's name. But by 1977, the designer turned 65. According to GM's internal regulations at the time, this age was the limit for working in high executive positions. After reaching the retirement threshold, there were two options: move to a decorative position without real authority or leave the company. Mitchell chose the latter.

Phantom as the Last Work

Before leaving, he decided to create a concept car codenamed Phantom. The task was unusual even by the standards of concept cars. Mitchell wanted the new car to incorporate features of almost all production cars he had worked on throughout his career.

At the same time, the designer demanded that retrospective elements, reminiscent of classic American cars of the 1930s, be added to the Phantom's appearance. The result was a car that simultaneously looked to the past and tried to express Mitchell's vision of a contemporary American coupe. The main features of the Phantom were as follows:

  • Extremely long wedge-shaped hood;
  • V-shaped radiator grille with chrome trim;
  • Narrow headlights hidden under transparent plastic shields;
  • Smooth roofline;
  • Heavily raked rear window;
  • Upward-tapering sides;
  • Sculptural body, uncharacteristically smooth for its time.

Despite the fact that American automotive fashion was already moving towards more angular forms, the Phantom looked completely different. The deep black color only enhanced the impression. The long hood with air intake slits created a sense of immense power, although the demonstration car was actually a mock-up without an engine, transmission, or full interior. Narrow, predatory headlights, hidden under transparent fairings, completed the image.

Why GM Liked the Concept

In 1977, the Phantom was shown to General Motors management. The reaction was unexpectedly positive. Several divisions of the concern immediately expressed a desire to turn the impressive concept into a production model. As a result, Pontiac was deemed the most suitable brand.

Preparations for a possible production embodiment began. The body of the demonstration car was mounted on a ready-made Pontiac Grand Prix chassis, and an initial interior trim option was prepared. It seemed that very little separated it from a full-fledged car, but the project did not last long.

The Concept Was Destroyed After the Designer's Departure

In the same year, 1977, work on the Phantom was unexpectedly stopped. The main opponent of the project was Howard Kehrl, General Motors' Vice President of Product Planning, who harbored a personal dislike for Bill Mitchell.

After Mitchell left the company, Kehrl ordered the prototype to be destroyed. The car was sent to the crusher.

However, the Phantom was saved. Pontiac's chief designer, Bill Davis, prevented the prototype from disappearing and arranged for its transportation to the city's automotive museum in Michigan. Thus, the concept that could have become a production Pontiac avoided final destruction.

The Last Chapter of Mitchell's Career

Bill Mitchell himself lived for several more years after leaving General Motors. On September 12, 1988, William Mitchell died at the age of 77.

The Pontiac Phantom never became a production car. Its story ended almost immediately after the departure of the man for whom this concept was meant to be the final chord of a long career.

Nevertheless, the Phantom retained its main purpose. In its appearance, Mitchell tried to bring together the aesthetics of the cars created during his tenure and add to it a nostalgia for the classic American automotive era. The Phantom had no production fate. But Bill Mitchell himself, thanks to his work over 42 years at General Motors, became one of the legends of American automotive design.

Read more materials: